Anthony Passaniti buzzi@anthonypass.com 818-395-7922.

Breaktime - a short film by Anthony Passaniti.

La Mia Famiglia: My Famliy - a short film by Anthony Passaniti.

The Butcher's Cut Steakhouse - created resaurant promo and designed logo.

Life On The Pole: 48hr Project - Cinematography, Director of Photography, and Editing by Anthony Passaniti

01. Home

Welcome:

Welcome to Anthony Passaniti's Cinematic World! Step behind the lens and into the art of visual storytelling. This site showcases Anthony’s work in videography and cinematography, where each frame is crafted with purpose and every shot tells a story. Explore a portfolio rich with dynamic compositions, immersive visuals, and compelling narratives shaped by years of industry experience. Welcome to a world where creativity meets the camera.


About me:

With years of experience behind the lens and in the digital realm, I’ve cultivated a deep passion for crafting visually striking and emotionally resonant storytelling experiences. As a seasoned cinematographer and videographer, my work centers around dynamic shot composition, purposeful camera movement, and visual storytelling that amplifies narrative impact.

My journey spans a diverse range of projects—from cinematic game trailers and narrative-driven short films to stylized visual content for feature animation and interactive media. Collaborating closely with directors, production designers, and creative teams, I specialize in designing camera language that not only serves the story but elevates it with cinematic precision.

Drawing from a strong foundation in animation and camera layout, I bring a unique hybrid skill set to the table, merging the timing and rhythm of animation with the visual grammar of film. Whether it’s choreographing an emotionally charged close-up or executing a sweeping tracking shot, every frame is designed to captivate and communicate.

Beyond the creative work, I’m passionate about mentorship and fostering collaboration. I continuously embrace emerging tools and technologies that push the boundaries of visual storytelling in both traditional and virtual production spaces.

This website is a window into my creative process, a showcase of selected works, and a space to connect with fellow filmmakers, artists, and storytellers. Whether you're here to explore my portfolio, discuss a potential collaboration, or simply share a love for the craft, thank you for visiting.

Let’s tell unforgettable stories, one frame at a time.

Anthony Passaniti

02. Videography

Breaktime Breaktime

Breaktime

Soft: Adobe Suite. Cam: Sony a7III

This cinematic short, filmed with the Sony a7III, demonstrates my expertise in cinematography, narrative development, color grading, and post-production editing, all executed using the Adobe Creative Suite.

 


La Mia Famiglia:  My Family La Mia Famiglia:  My Family

La Mia Famiglia: My Family

Soft: Adobe Suite. Cam: Sony a7III, Canon 60D, Dji Air 2

An opportunistic couple's life completely changes when they meet each other and take a chance of a lifetime to create a better life for their family before the world itself keeps them from improving their lives. A film by Anthony Passaniti

 


The Butcher's Cut Promo The Butcher's Cut Promo

The Butcher's Cut Promo

Soft: Adobe Suite. Cam: Sony a7III

This cinematic promo, filmed with the Sony a7III, demonstrates my expertise in restaurant video marketing, narrative development, color grading, and post-production editing, all executed using the Adobe Creative Suite.

 


Key To Life Key To Life

Key To Life

Soft: Adobe Suite. Cam: Sony a7III, Canon 60D, Dji Air 2

The key to life described by my Aunt Suzi and Uncle Carmelo through their 62 years of marriage. This cinematic short, filmed with the Sony a7III, Canon 60D, and Dji Air 2, demonstrates my expertise in cinematography, narrative development, color grading, and post-production editing, all executed using the Adobe Creative Suite.

 


Life On The Pole:  48hour Project Life On The Pole:  48hour Project

Life On The Pole: 48hour Project

Soft: Adobe Suite. Cam: Sony a7III, Canon 60D

Made for the 48 Hour Film Project 2021, San Diego. Meet the lives of pole dancers and their journey to win the “Golden Rod,” the highest honor an exotic dancer can achieve. Who has what it takes, and how far will they go to win? Cinematography, Director of Photography, and Editing by Anthony Passaniti

 


Night Roar Night Roar

Night Roar

Soft: Adobe Suite. Cam: Sony a7III

This cinematic short, filmed with the Sony a7III, demonstrates my expertise in cinematography, narrative development, color grading, and post-production editing, all executed using the Adobe Creative Suite.

 


03. Resume

A Senior Cinematic Artist and Videographer with extensive experience in visual storytelling, camera design, and real-time capture workflows. I’ve led the execution of complex cinematic sequences for AAA titles, achieving a 20% increase in scene approval rates through carefully choreographed camera work and storytelling precision. My contributions extend beyond the lens—spearheading initiatives that streamlined on-set workflows and improved shoot efficiency by 30%, ensuring seamless alignment between creative direction and technical execution. Recognized for delivering high-impact visuals for leading studios such as Insomniac Games and Santa Monica Studio, I consistently bring narratives to life under tight deadlines and evolving production demands. From staging emotionally resonant scenes to optimizing virtual camera pipelines, I merge artistic vision with technical expertise to craft compelling cinematic experiences that engage and inspire.


Computer skills:

Game Engine: Unreal and Unity

Software:

Graphic Design: Photoshop, and Illustrator

Animation: 3D Max, Maya, Blender, Motion Builder, Mudbox, and Z-brush

Animation Plug-ins: Blastcode, and YMT exporting

Motion Capture: Vicon

Compositing: Premier, After Effects, and Combustion

Web: Dreamweaver, and Flash

Camera Tracking: 3D Equalizer, Boujou, SynthEyes, and PF Tracker


Experience:

Videographer | Cinematographer | Visual Identity Designer

Self Employed                 06/10 - Present

  • Conceptualized and captured a range of creative content projects, from initial idea to final delivery.
  • Managed all visual aspects for a short film project, delivering the final product within a demanding 48 hour deadline.
  • Designed the visual identity and produced a promotional video to highlight The Butcher’s Cut’s unique dining experience.

Lead Camera Layout | Expert in Cinematic Design, Motion Capture Evaluation, and Technical Direction  

Sony SIE                 01/14 - 03/25

  • Collaborated closely with the client to meticulously design cinematic scenes, emphasizing precise timing, composition, camera lenses, and camera animation.
  • Evaluated motion capture animated sequences crafted by a versatile group of over 20 artists, across various AAA titles.
  • Facilitated seamless motion capture shoots, aligning client needs with the technical specifications for optimal results.
  • Implemented real-time staging solutions to enhance productivity, averaging 12 cut scenes daily, including facial motion capture.

Lead Motion Capture Technical Animator | Team Leadership | Real-Time Staging | Game Engine Testing  

Sony SIE                 06/12 - 07/13

  • Assembled and spearheaded a proficient team of motion capture animators, delivering over 60 minutes of polished in-game cutscenes within tight deadlines and under budget constraints for numerous AAA titles, leveraging expertise in team leadership, project management, and animation workflow optimization.
  • Implemented real-time staging techniques to streamline production, enabling the capture of over 12 cutscenes daily, encompassing intricate facial motion capture for enhanced realism.
  • Conducted rigorous in-game testing of cutscenes to identify and rectify bugs within the game engine, ensuring optimal performance and immersive player experiences.

VFX Artist | Camera Tracking | Stereo Compositing | Workflow Optimization  

Stereo D - Deluxe LLC.                 05/11 - 06/12

  • Initiated stereo compositing of live plates for 4 feature films, including Avengers, Abe Lincoln: Vampire Hunter, Titanic, and Captain America, implementing Maya and Nuke to achieve seamless integration and visual depth.
  • Optimized depth of field transfer pipelines between Maya, Nuke, and After Effects, reducing production time by 20% and increasing final output quality for enhanced visual effects.

VFX Artist | Camera Tracking | Stereo Compositing | Budget Management | Deadline Efficiency  

Sassoon Film Design                 09/10 - 05/11

  • Dedicated to crafting captivating stereo compositions by leveraging SynthEyes, PF Track, and Maya to their fullest potential.
  • Delivered challenging shots within tight deadlines and budgetary constraints, optimizing camera tracking processes to enhance accuracy and reduce overall post-production time by 20%, while consistently meeting production goals and maintaining high visual quality standards.

Lead Animator | Senior 3D Generalist | Talent Casting | User Experience Design  

Logic Junction                 01/10 - 06/10

  • Developed engaging character-driven animations which allowed seamless interactions on digital displays at the Cleveland Clinic; resulted in a noticeable decrease—over three hours weekly—in staff assistance required during busy periods.
  • Conducted in-depth interviews and casting sessions with over 20 potential actresses to identify the best match for animation requirements, achieving a character fit that aligned seamlessly with project objectives.

Lead Cinematographer | Senior 3D Generalist | Asset Management | Motion Capture Pipeline Development  

Hydrogen Whiskey Studios                 01/05 - 11/09

  • Assumed responsibility for orchestrating asset creation aligned with precise client specifications, guaranteeing that all deliverables met rigorous quality standards and were delivered ahead of the agreed timelines by two weeks.
  • Perfected specific protocols tailored for capturing high-fidelity animations; ensured consistency throughout productions spanning over six months, enhancing both character realism and client approvals dramatically.

Senior Animator | Animation Conceptualization | Pacing Optimization | Creative Collaboration  

Flight 33 Productions                 11/08 - 01/09

  • Evolved strategies to optimize animation pipeline, which improved overall project timelines; delivered final animations 15 days ahead of schedule while maintaining high quality standards.

Senior Animator | Dynamic Motion Graphics | Brand Alignment  

Belief Studios                 08/07 - 09/07

  • Created compelling visual animations that showcased key football actions like catching and throwing for a high-profile Nike campaign; completed all animations ahead of schedule resulting in higher team productivity by reducing revisions needed after initial drafts.

Education:

Art Institute of Pittsburgh
Bachelor of Science Degree in Computer Animation                       2001-2004

  


04. Contact

Contact details:

call me: 818 395 7922
visit me: 2960 Larkin Pl
email me: buzzi@anthonypass.com